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For a required pre-group meeting, contact Macalester Counselor Liz Schneider-Bateman at 651-696-6204.African American Women Survivors South Asian Women Survivors Asian, Native Hawaiian, and Pacific Islander Survivors Latin@ Survivors Male Survivors Queer Survivor A free, confidential, off-campus support group for LGBTQ survivors of intimate partner violence or past or present sexual abuse.Also, what’s useful to one survivor won’t necessarily benefit another.Therefore, it’s essential that you use your own judgment.The core of their organization is a support group, message board, and chat room where victims and survivors come together online in a mutually supportive and safe environment.Website committed to promoting healthy sexuality, with particular attention to survivors of sexual abuse.And David’s creative process is such that he saw the photo, he felt I was the right girl, he called Johanna and said, “I want to see her today! At the time, I was doing theater, really arty stuff, and I had kind of given up on Hollywood.I was driving to the gym, I was in warm-ups, and I was so excited about David Lynch wanting to see me that I crashed my car! He just looked at me — Johanna had said no makeup — and in his deep voice said, “Good.” He kept saying, “Good.” I finally cracked up.

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Both actresses were relative unknowns at the time — indeed, both had kind of given up on Hollywood, which fits perfectly with the film’s themes of disillusionment and despair in the Dream Factory — and ’s success supercharged their careers.

Interestingly, for a while, the film itself looked like it may never see the light of day: It was originally supposed to be a TV series, but Lynch wound up reshooting and recutting it as a feature after the network rejected the pilot. The casting director that he often used, Johanna Ray, took me to the premiere; her son Eric Da Re was in it, and I had done a movie with him.

hit the Criterion Collection last week, and it’s lost none of its terrifying, dreamlike allure.

(If anything, it’s gained some over the years.) Central to the film’s artistry are its two brilliant female leads, Naomi Watts and Laura Harring.

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I would have loved to publish the Resource Guide online in its entirety, but couldn’t because of copyright restrictions.

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